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[...] of modes of existence as artistic production and is based on relationships and their reverberations, whether in personal projects or in partnerships with other artists.

 

The research unfolds by languages

diverse, who are in the process of creating and building the works,

 

are secretions, like blood;

 

are actions: of the body as an act;

 

objects; or photographs.

 

Forming language record of my experiences of displacement and immersion.

Performance is the drive of the body revealed. And it appears as a vital movement of the route. I call what I do hybrid practices for healing ... Naked, “skinless and androgynous”.

 

BY [how to be a woman?]

2013-2020

modes of existence / body as act

original document (CNH),  pine frame

20x25cm

Ph: Bruno Leão

Developed during  artist residency program

Pivot Search  from June to September 2021

 
 
 
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[ mother, daughter, annatto, bone necklace, Huni Kuin healing bracelet, snuff and piassava broom ]

MOTHER, 2019

performance | 40 min | with: Nazareth (mother)

LAVRA 2019, Hélio Oiticica Municipal Art Center

Occupation of Praça Tiradentes 03/30/2019

Rio de Janeiro - RJ

Ph: Gabriel Vieira

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40 x 60 cm on photographic paper

LAVRA 2020, Hélio Oiticica Municipal Art Center

02/15 to 03/28/2020

Rio de Janeiro - RJ

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1.20 x 1.80 cm in wall sticker

MATERNAGE (Individual Exhibition)

01/19 to 02/27/2021

OC Alfredo Volpi, São Paulo - SP

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integrates the CALMON-STOCK collection  

  

My mom braids my hair. My mom braids my hair. My mom braids my hair. I try to prepare. Life must go on. All displacement is the action. My sister died without becoming a mother, without knowing Rio de Janeiro. I always asked not to die for my mother's sake. I never thought she was going to bury a daughter. My sister's daughter was not born, I think that was why she was murdered by him. Art likes to talk about big things ... Great events in life, social and political, about what never ceases, about what may always be repeated ?. I like to talk about small things. What will one day inevitably end? About what changes almost nothing ... And at the same time, that's all. All that can be said about life is gesture, and it is small. This is a work about love. It is a work about mother, about care. And I dedicate it to my mother.

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[for the right to walk without fear in the dark]

WITHOUT FEAR, 2018 | Fine Art 30x42 

by Nacional Trovoa at SP-Art 2020

Bárbara Milano and Francesca Lazzeri

WITHOUT FEAR, 2018

photography / lick-lick / intervention

15x21

Teresina-PI

Ph: Bárbara Milano

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Fruit of the process of convience during the artistic residency NINE, conducted by Francesca Lazzeri (It / Nl). The lick-lick “WITHOUT FEAR” was a work developed in co-authorship with the same, also counting on the involvement of all the participants of the group, in all we were 12 women from different states of Brazil, mainly from Piauí, the Brazilian state with the highest rate of feminicide recorded in the period before our residence.

Ph: Maurício Pokemon

Body Investigation | during residency: Incorporated demolition | Evelin Macelo | 2018 | CAMPO | Teresina-PI

 
PARA FICAR BELA [como ser mulher?] | 2017 | objeto-função |
PARA FICAR BELA [como ser mulher?] | 2017 | objeto-função |

Sangue menstrual em vidro de esmalte. *Participou: SP-ARTE 2020 por Nacional Trovoa e “BUCÉTIKA” - Sue Nhamandu convida | 4 e 5/maio 2018 | Encontro transfeminista | Al Janiah, São Paulo-SP.

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CYGILE série: [como ser mulher?] | 2018 | objeto-função |
CYGILE série: [como ser mulher?] | 2018 | objeto-função |

Pintura com sangue menstrual sobre tecido.

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PARA FICAR BELA [como ser mulher?] | 2017 | objeto-função |
PARA FICAR BELA [como ser mulher?] | 2017 | objeto-função |

Sangue menstrual em vidro de esmalte. *Participou: SP-ARTE 2020 por Nacional Trovoa e “BUCÉTIKA” - Sue Nhamandu convida | 4 e 5/maio 2018 | Encontro transfeminista | Al Janiah, São Paulo-SP.

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BLOOD BLOOD is a process that I developed between 2010 and 2015 from the observation and experiments that I carried out with my menstrual blood; I made about 180 ceramic pieces that I called "vulvas". The pieces traveled with me in a later process, being presented to women during conversations provided by the meetings ... A work of strength, of silence more than words ...

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VULVAS [moon time] | 2011 | installation / site-specific

wood, ceramic sculpture and menstrual blood | LOT | UNESP, São Paulo.

This photo is part of the project "Milhas Pelas Vidas das Mulheres" under the curatorship of the Latin Artists platform
 
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Master's Degree in Arts in Development by UNESP