[...] of modes of existence as artistic production and is based on relationships and their reverberations, whether in personal projects or in partnerships with other artists.
The research unfolds by languages
diverse, who are in the process of creating and building the works,
are secretions, like blood;
are actions: of the body as an act;
objects; or photographs.
Forming language record of my experiences of displacement and immersion.
Performance is the drive of the body revealed. And it appears as a vital movement of the route. I call what I do hybrid practices for healing ... Naked, “skinless and androgynous”.
![PELOS [how to be a woman?] 2013-2020 modes of existence / body as an act Original document (CNH), 20x25cm pine frame Photo: Bruno Leão](https://static.wixstatic.com/media/98856d_970c266982cc415ba42eb5185ddf112a~mv2.jpg/v1/fit/w_805,h_1210,q_90/98856d_970c266982cc415ba42eb5185ddf112a~mv2.webp)
![2021_10 Leilao Pivo_Barbara Milano_Sem Titulo- [Como ser Mulher_] Modos de Existencia- Do](https://static.wixstatic.com/media/98856d_8d02f3ea15f940c6abccd3a1819ce627~mv2.jpg/v1/fit/w_805,h_1210,q_90/98856d_8d02f3ea15f940c6abccd3a1819ce627~mv2.webp)
![2021_10 Leilao Pivo_Barbara Milano_Sem Titulo- [Como ser Mulher_] Modos de Existencia- Do](https://static.wixstatic.com/media/98856d_43fe00f288aa4ed5865c7f621e87deb9~mv2.jpg/v1/fit/w_805,h_1210,q_90/98856d_43fe00f288aa4ed5865c7f621e87deb9~mv2.webp)
BY [how to be a woman?]
2013-2020
modes of existence / body as act
original document (CNH), pine frame
20x25cm
Ph: Bruno Leão
Developed during artist residency program
Pivot Search from June to September 2021
[ mother, daughter, annatto, bone necklace, Huni Kuin healing bracelet, snuff and piassava broom ]
MOTHER, 2019
performance | 40 min | with: Nazareth (mother)
LAVRA 2019, Hélio Oiticica Municipal Art Center
Occupation of Praça Tiradentes 03/30/2019
Rio de Janeiro - RJ
Ph: Gabriel Vieira
-
40 x 60 cm on photographic paper
LAVRA 2020, Hélio Oiticica Municipal Art Center
02/15 to 03/28/2020
Rio de Janeiro - RJ
-
1.20 x 1.80 cm in wall sticker
MATERNAGE (Individual Exhibition)
01/19 to 02/27/2021
OC Alfredo Volpi, São Paulo - SP
-
integrates the CALMON-STOCK collection
My mom braids my hair. My mom braids my hair. My mom braids my hair. I try to prepare. Life must go on. All displacement is the action. My sister died without becoming a mother, without knowing Rio de Janeiro. I always asked not to die for my mother's sake. I never thought she was going to bury a daughter. My sister's daughter was not born, I think that was why she was murdered by him. Art likes to talk about big things ... Great events in life, social and political, about what never ceases, about what may always be repeated ?. I like to talk about small things. What will one day inevitably end? About what changes almost nothing ... And at the same time, that's all. All that can be said about life is gesture, and it is small. This is a work about love. It is a work about mother, about care. And I dedicate it to my mother.
[for the right to walk without fear in the dark]
WITHOUT FEAR, 2018 | Fine Art 30x42
by Nacional Trovoa at SP-Art 2020
Bárbara Milano and Francesca Lazzeri
WITHOUT FEAR, 2018
photography / lick-lick / intervention
15x21
Teresina-PI
Ph: Bárbara Milano
Fruit of the process of convience during the artistic residency NINE, conducted by Francesca Lazzeri (It / Nl). The lick-lick “WITHOUT FEAR” was a work developed in co-authorship with the same, also counting on the involvement of all the participants of the group, in all we were 12 women from different states of Brazil, mainly from Piauí, the Brazilian state with the highest rate of feminicide recorded in the period before our residence.
Ph: Maurício Pokemon
Body Investigation | during residency: Incorporated demolition | Evelin Macelo | 2018 | CAMPO | Teresina-PI
Sangue menstrual em vidro de esmalte. *Participou: SP-ARTE 2020 por Nacional Trovoa e “BUCÉTIKA” - Sue Nhamandu convida | 4 e 5/maio 2018 | Encontro transfeminista | Al Janiah, São Paulo-SP.
Pintura com sangue menstrual sobre tecido.
Sangue menstrual em vidro de esmalte. *Participou: SP-ARTE 2020 por Nacional Trovoa e “BUCÉTIKA” - Sue Nhamandu convida | 4 e 5/maio 2018 | Encontro transfeminista | Al Janiah, São Paulo-SP.
BLOOD BLOOD is a process that I developed between 2010 and 2015 from the observation and experiments that I carried out with my menstrual blood; I made about 180 ceramic pieces that I called "vulvas". The pieces traveled with me in a later process, being presented to women during conversations provided by the meetings ... A work of strength, of silence more than words ...
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VULVAS [moon time] | 2011 | installation / site-specific
wood, ceramic sculpture and menstrual blood | LOT | UNESP, São Paulo.
This photo is part of the project "Milhas Pelas Vidas das Mulheres" under the curatorship of the Latin Artists platform
Master's Degree in Arts in Development by UNESP